Reveals the alt-right's project to claim science fiction and by extension the future. Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. Speculative Whiteness t...(展开全部)

Reveals the alt-right's project to claim science fiction and by extension the future. Fascists such as Richard Spencer interpret science fiction films and literature as saying only white men have the imagination required to invent a high-tech future. Other white nationalists envision racist utopias filled with Aryan supermen and all-white space colonies. Speculative Whiteness t...(展开全部)

The topics of a priori knowledge and a priori justification have long played a prominent part in epistemology and the theory of meaning. Recently there has been a surge of interest in the proper explication of these notions. These newly commissioned essays, by a distinguished, international group of philosophers, will have a substantial influence on later work in this area. The...(展开全部)

诺曼•马内阿 1936年生于罗马尼亚。纳粹集中营的幸存者。1986年因当时的政治社会环境而离开罗马尼亚，先到西柏林，1988年到美国。从此在美国定居，并以执教、写作为生。主要作品有《十月，八点钟》、《论小丑：独裁与艺术家》、《必须幸福》、《黑信封》、《流氓的归来》等。 马内阿在世界各国获得了许多文学大奖，其中有意大利诺尼诺（Nonino）文学奖、西班牙《前卫报》最佳外文著作奖、美国全国犹太图书奖、美国麦克阿瑟天才奖。2006年，《流氓的归来》获得了法国图书的最高奖美第奇奖。

Survivor of the Nazi camps and Ceausescu's Romania, winner of the National Book Award, recipient of a MacArthur Award and a Guggenheim Fellowship, Norman Manea, an extraordinary man of letters, "gives us a taste of something beyond the scope of even our twentieth-century imagination. . . . Manea is too profound a witness to place his gift for observation in the service of anoth...(展开全部)

Originally published in 1963, this book was the first volume to be published in the author's long and distinguished series of collected essays. In it he addresses fundamental questions about the nature of artistic achievement, the criteria of artistic value, and the role of language in understanding and interpreting images. These essays explore the problematic character of meta...(展开全部)

Originally published in 1963, this book was the first volume to be published in the author's long and distinguished series of collected essays. In it he addresses fundamental questions about the nature of artistic achievement, the criteria of artistic value, and the role of language in understanding and interpreting images. These essays explore the problematic character of meta...(展开全部)